x + p r e s s

ephe:

gooftr00p

7 years ago . 2,458 notes . via . source

7 years ago . 53,548 notes . via . source

8 years ago . 17,703 notes . via . source

superbestiario:

Amanda lepore in addicted to diamonds 1997 by david lachapelle

8 years ago . 5,889 notes . via . source

juliettecassidy:

CT SS15

8 years ago . 36,044 notes . via . source

8 years ago . 38,007 notes . via . source

w-canvas:

The Paddle Out | Kyle Kuiper

8 years ago . 28,249 notes . via . source

8 years ago . 5,616 notes . via . source

that-supreme-bitch:

S/B x Supreme + Ones
Shop: 750xvclothing

Samez

8 years ago . 15,563 notes . via . source

forebidden:

sintire:
click here to enter into a teenage boys mind

8 years ago . 443,654 notes . via . source

8 years ago . 133,608 notes . via . source

lawnmall:

SCRNS - ‘Lavender’ early iteration
Lawnmall, 2015

8 years ago . 288 notes . via . source

8 years ago . 3,022 notes . via . source

w-a-v-e:

Marco Evaristti, Helena
In 2000, provocative artist Marco Evaristti installed ten blenders filled with water and live goldfish at the Trapholt Art Museum in Denmark to challenge the ethics of his audience. In Helena, ”the audience members became arbiters over life and death in a situation where it was crystal clear what would happen if they pressed the button.” Two buttons were pushed, but the courts decided that the deaths were not prolonged and so, not inhumane.

8 years ago . 25,256 notes . via . source

8 years ago . 5,990 notes . via . source

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The Paddle Out | Kyle Kuiper